Tuesday, 14 June 2016

Task 4: ('Commentary') Reflection on Film Scenes Unit

REFLECTION QUESTIONS
  1. How did your group aim to tell a story or part of a story ie. the film plot?
  2. How did each group member contribute to the portrayal of your story?
  3. How was each character important to the story as a whole?
  4. What obstacles did you face in achieving your artistic intentions and how did you overcome them?
  5. How would you like to have staged your performance?
  6. How did you choose to stage your performance?
  7. What do you feel you could have improved in your personal performance of your character?
  8. What could you have improved with regards to your contribution to the project as a group?
  9. Why did you choose the film that you did and what significance does it have to you?
  10. Do you think film can change the way we see the world?
  11. Has a film ever affected you or changed your views in any way?
  12. Do you think films represent an unrealistic view of society?
  13. If you could do this unit again, what choices would you make differently?
  14. What reaction did your performance get from the audience, and was it expected or planned for?
  15. How can you apply your newly developed skills to other performance work in the rest of this course?

REFLECTION VIDEO

Monday, 13 June 2016

Task 3: ('Process and Product') Rehearsal Videos and Final Performance of Film Scene

REHEARSAL VIDEO #1

REHEARSAL VIDEO #2

REHEARSAL VIDEO #3

REHEARSAL VIDEO #4

FINAL PERFORMANCE VIDEO

There are no rehearsal videos of us performing in the round as we chose to do this very last minute and did not have time to film a rehearsal video in that state

Sunday, 12 June 2016

Task 2: ('Proposal') Director's Notebook

PROPS & COSTUMES
This is a list of the setup requirements for all of our scenes. we decided to keep it very basic to avoid confusion & spending too much time in between the scenes:
  • Old Bailey Scene: Center Big Block Only
  • Breakfast Scene: Center Big Block + 2 smaller blocks (+ food, cups, miscellaneous items)
  •  Murder Scene: Center Big Block Only
  • Television scene: Center Big Block Only
  • Interrogation Scene: Center Big Block + 2 smaller blocks
  • Valerie Letter Scene: Center Big Block Only
  • Evey Reborn Scene: Center Big Block Only

As the "Director" it is also my job to look at the costuming of my performers. When looking at costuming I must ensure they are related, symbolic and most importantly comfortable (I do not want my actors worrying about costuming when performing.. that is after all my job)...Costume is illustrated in V for vendetta by the Guy Fawkes mask V wears. This allows the community to see him not as an individual but as a metaphorical creature portraying the idea of hope. This is explained at the very start of the movie with this voiceover in the background. We are told to remember the idea not the man, because a man can fail, he can be caught, he can be killed and forgotten but 400 years later an idea can still change the world. The idea in this quote represents the hope that the people of London seek for freedom, to be free from the government and to live a normal life. This teaches us that no single man would be able to take down the government as represented by because that man can fail. However, in the case of V, he did not want to be known as a man, but to associated to the hope and courage he gave to the people of London. He essentially lives as a messenger, a symbol of hope for the people of London. Apart from Evey, nobody knew him personally but everyone knew what he symbolizes and what his motives were and why he was trying to take down the government.

Another aspect of V’s costume is the black cape. This cape could present a million perspectives… a villain figure… a superhero figure? Another important technique in costuming is colour, colour is shown in the film with people such as V, he wears a lot of black or grey. Because V sneaks around in the night it is also shown in his dark costume and his main colours are red and black, the black symbolizes the night and that he sneaks around and wants to be heard but the red also shows that he is violent and explosive, it shows fire and that's what haunts his past. V’s costume creates a positive expression and shows him as sneaky and violent but also as a “good guy” rather than a terrorist.

STAGING 
Initial Staging Plot
(classic staging)
This is a video I made about our initial ideas for the staging.

Final Staging Plot
(in-the-round staging)


In the final week before our performance, we surprisingly decided to completely change our staging. After several weeks of practicing on the stage, Federico had the idea that we must challenge ourselves to try something new and said that we should change our staging to keep our stage in the round, as seen in the video above. This idea was argued back and forth amongst the group however finally came to the conclusion that it would be interesting pushing and new. The audience members will be seated around us whilst the keeping a gap between the chairs where our entrances and exits will occur.

The overall performance goal was to make the audience empathize with the characters, and so if in the round  the characters were able to talk very closely to the audience in an attempt to make them feel a certain way. For instance, when Evey says "I trusted you, I believed in you” she makes direct eye contact with the audience which makes them feel as though they are even part of the play. Being in the round also makes voice projection much easier, which was one of the reasons this idea took place in the beginning. Since we knew Sher and Fed will be wearing a mask = it would be difficult to hear them clearly however if the audiences are closer to the actors, we don't have to try to project our voices as much as we would, on a regular stage. The main reason for our change was so that we could try something new as well as add more movement to our roles. With regards to staging we started off with a permanent block I the middle which aided with every scene in some way as listed:
  • Terrace (Old Bailey and Evey Reborn Scene)
  • Sofa (Living Room/TV Scene)
  • Wall (Valerie Letter Scene)
  • Table (Interrogation and Breakfast Scene).
SOUND AND LIGHTING
(TAKEN DIRECTLY FROM SCRIPT)
SCENE #1: [OLD BAILEY’S EXPLOSION] 
LIGHTING: Red lighting on EVEY and V (blackout at 0:38 of music before explosion)
SOUND: https://www.youtube.com/watch?v=P9TtBYgyXzk (fade in at 0:18)
  •  Lighting Explanation:  in this scene we chose the lighting to be all red following each character due to the setting; they are in an alley in a dystopian society so it is fair to use a dark colour especially as Evey was being first introduced to the V character who seems to be a murderer. On top of that we know that red also makes us perceive that V is violent and explosive, it shows fire and that's what haunts his past.
  • Sound Explanation: This is a clip taken directly from the original move consisting of the background classical music however with the explosions. This clip is played when Evey proceeds to say "I can hear it!" which is the same exact cue in the movie.
(TAKEN DIRECTLY FROM SCRIPT)
SCENE #2: [BREAKFAST]
LIGHTING: White lighting on V and White lighting facing EVEY 
SOUND: https://www.youtube.com/watch?v=jgpJVI3tDbY
  •  Lighting Explanation:  in this scene we chose the lighting to be all white, as in contrast to the previous scene they are in a home eating breakfast which is much more calm and chill. The white represents a sense of purity in Evey as well as V since he begins to open up himself to Evey at this stage.
  • Sound Explanation: This is a sound clip of a 'Romantic and Classical' piece by an Italian Composer, which we aim to play as a background throughout the scene. Firstly, we wanted to have background the background music as not only did we feel the empty space while performing and directing but we also knew that its what V would've had to play and did in the movie
(TAKEN DIRECTLY FROM SCRIPT)
SCENE #3: [MURDER IN THE SHOWER]
LIGHTING: White on Lewis + Red on V (black out on "ghost of christmas past")
SOUND: N/A
  • Lighting Explanation: In this scene the lighting had to be precisely positioned and timed. Position wisewe chose to have red on V as he is the dark evil mudered in this scene, whereas white on lewis cause he is the (not) innocent victim. The blackout for this scene has to be precisely timed to avoid any awkwardness... the black out on "ghost of christmas past" as V stabs Lewis to emphasise effect.
  • Sound Explanation: N/A

(TAKEN DIRECTLY FROM SCRIPT)
SCENE #4: [LIVING ROOM]
LIGHTING: White on the whole stage
SOUND: https://www.youtube.com/watch?v=SJUCNMjRIfU (play when remote is clicked)

  • Lighting Explanation: Same as the breakfast scene we chose the lighting to be all white, which is much more calming and neutral.
  • Sound Explanation: The sound clip is just a news broadcast introduction in which 'evey finds out about Lewis Prothero'. This clip will be played when me and fed turn on the 'tv's' in sync.
(TAKEN DIRECTLY FROM SCRIPT)
SCENE #5: [INTERROGATION]
LIGHTING: Red light only on Evey
SOUND: N/A
  • Lighting Explanation:  
  • Sound Explanation: 
(TAKEN DIRECTLY FROM SCRIPT)
SCENE #6: [INTERROGATION]
LIGHTING: Red light only on Evey
SOUND: N/A
  • Lighting Explanation:  
  • Sound Explanation: 
(TAKEN DIRECTLY FROM SCRIPT)
SCENE #7: [BLACK OUT TORTURE]
LIGHTING: Blackout
SOUND: Shaving hair SFX- https://www.youtube.com/watch?v=Oa98uAVoGfs (fade in 3 secs after black out)
  • Lighting Explanation:  
  • Sound Explanation: 

(TAKEN DIRECTLY FROM SCRIPT)
SCENE #8: [VALERIE'S LETTER]
LIGHTING: White lighting on Evey when she's speaking, then blackout when Valerie speaks and vice versa
SOUND: N/A
  • Lighting Explanation:  
  • Sound Explanation: 

(TAKEN DIRECTLY FROM SCRIPT)
SCENE #8: [EVEY REBORN]
LIGHTING: Red Light on V as soon as he says 'Welcome Home' & White light on Evey
SOUND: Door open SFX after lights come on: https://www.youtube.com/watch?v=Cf-gpq_cwMY
  • Lighting Explanation:  
  • Sound Explanation: 

Saturday, 11 June 2016

Task 1: ('Presentation') Presentation of research about a character in the scene

Evey Hammond is the true heroine of the movie, and it is through her eyes that we follow the story. She becomes simultaneously V’s point of vulnerability as he falls in love with her, but also his strength and motivation as she comes to represent the spark of latent humanity still unextinguished in the many inhabitants of the totalitarian state. With the (unwelcomed!) help of V, she undergoes an extraordinary personal transformation throughout the story, as she throws off the shackles of psychological oppression and starts to discover her true potential.

The Evey in the beginning half of the film is fearful. When faced with any sign of violence, she always hides beneath something, whether it be a bed or a table. Hiding under objects is a subconscious reaction to feeling threatened and wanting to be protected – a characteristic of Evey’s which can be attributed to her unorthodox childhood. Her parents were political activists who opposed the government, despite the threat of persecution.  The threat becomes reality when Evey is abruptly woken from sleep and told to hide under the bed. Both objective views and point-of-view shots are used to show Evey’s mother being beaten and ‘black-bagged’, an act which involves the placing of a black hood over a victim’s head in a manner reminiscent of how Gestapo in World War Two would treat their prisoners. Evey tells V  “I’m sorry I’m not a stronger person. I wish I wasn’t afraid all the time, but I am”. The audience now comprehends the ordeals that have shaped Evey into a fearful being. This quote also serves to foreshadow the morphing of a timid Evey into an assertive Evey.

In the later half, Evey begins to develop into a strong person after facing hardship and finding the inspiring autobiography of a previous prisoner. Following her abduction, she is subjected to torture in order to break her spirit and divulge information about V. An example of this was when her head was forcefully held under water. Her captor proceeds to pull her up and commands her to “Just tell us where he [V] is”. Face defiant, she firmly replies with “I don’t know”. This mid shot can be compared to the mid shot of Evey when she first arrived at the holding facility, where she was whimpering and shaking so hard that she could not respond to the interrogator’s questions. Her emergence from the water is similar to the act of baptism, wherein an imperfect and flawed person is submerged in water briefly before rising out of it as a new creation. Evey’s afflictions teach us that the vicissitudes of life mold and enhance our character, much like how intense heat hardens clay. This knowledge gives us strength to persevere, even in the direst of times.
After her release from captivity, a new Evey stands in the rain on a balcony. “God is in the rain”, she says while looking up at the heavens, quoting the contents of Valerie’s letter. She raises her hands in a V for victory and also as an act of thanks to God.

We live in constant fear every day. Fear of being unaccepted and lonely. Fear of losing. Fear of humiliation. Fear of sickness and death. Fear of persecution. These phobias can be overcome, though, if we are willing to change. While we are living in a much different society to the one painted in ‘V for Vendetta’, we can still identify with Evey and learn from her bravery in the face of overwhelming fear. As we have observed, her transfiguration has not come about smoothly; she faced torture, humiliation, paralyzing fear and isolation before she was able to reach her ideal character. This is the crux of what Evey’s character has taught us: when we overcome our fears, we will find strength and confidence.


For the role, Natalie shaved her head totally bald and speaks with a British accent: “I worked with the dialogue coach Barbara Berkery for a month and a half before we started shooting, and she was with me the whole time. We’d do exercises for an hour every morning before we started. The first time I auditioned for them they asked if I would shave, and I said yeah!  Everyone laughed and made a bigger deal out of it than I did.”